#Multi channel recording mixer portable
#Multi channel recording mixer pro
#Multi channel recording mixer code

XLR Analog Audio in offers Mic, Line and Phantom Power for audio recording from master sources, mixers and more.

#Multi channel recording mixer pro

The video and audio connections on the rear panel of the Ki Pro GO offers 4x 3G-SDIВ and 4x HDMI inputs with separateВ SDI and HDMI monitoring which includes Matrix Monitoring for multi-channel viewing on a single HD display.

Front panel button controls with integrated HD resolution screen.

Easy-to-use web UI, compatible with standard web browsers.

2-channel embedded audio per video input.

Balanced XLR analog audio inputs, mic/line/48v switchable.

Available using 1-channel of Analog Audio In.

Selectable VBR recording settings with 5 options.

HDMI and SDI Enhanced Super Out for monitoring:В timecode, media status and audio levels.

HDMI and SDI multi-channel matrix monitoring.

Redundant recording to user selectable destinations вЂ“ USB or SMBВ (new in v3.0).

Recording to network (SMB) storageВ (new in v3.0).Redundant recording to user selectable usb ports.5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media.

#Multi channel recording mixer portable

Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.Дesigned to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. With CL-6 attached: 16 tracks total.Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities, and now with new v3.0 firmware,В recording to network storage.Д¤x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras and DSLRs.

Built-in production recorder, records all inputs and output buses: 10 tracks total.

Four output buses, Left, Right and Aux 1, Aux 2 transformer-balanced for freedom from ground loops multiple output connectors, including dual multi-pin.

Six high-bandwidth, low noise microphone preamplifiers with phantom, limiters, high-pass, pan, and direct outputs per channel.

Because sound engineers operate in fast-paced environments, important controls are on dedicated knobs and switches, while additional features are quickly accessed through the intuitive LCD-based menu control. The 664 was designed with knowledge gained from the industryвЂ™s top engineers and from Sound DevicesвЂ™ expertise in portable mixers.

#Multi channel recording mixer code

A helpful time code compare utility shows the difference between internal and external time code. The 664 operates as either a time code master clock or its clock can be jammed from external time code. With the mixerвЂ™s built-in, rock-steady Ambient time code generator, multiple devices can operate in synchronization. When used with a CL-6 Input Expander, the 664 records 16 tracks, 12 inputs and four output buses. All popular production sampling rates are supported. Recordings are either 16- or 24-bit Broadcast WAV files with extensive metadata. Recordings are saved to CompactFlash and SD cards. The 664 can record each of its inputs and its four output buses, for 10 record tracks. AES3 digital outputs are individually selected to appear on the main XLR and multi-pin output connectors. Two additional output buses, X1 and X2, appear on balanced TA3 connectors. The 664 can send its main left/right outputs to three cameras simultaneously. In complex, multi-camera productions, output flexibility is essential. Input connectors 1 and 6 can be selected to accept AES42 or AES3 digital signals Output Flexibility

These transformer-less preamps accept mic or line-level signals, and include analog peak limiters, high-pass filters, input trim controls, and direct outputs. The 664 has six ultra-low noise, high-dynamic-range analog inputs.

Perfectly suited for location audio mixeing and recording. The intuitive 664 has six mic inputВ channels and four output buses.ДЄll inputs and outputs are recordable to both CF and SD cards.